Showing posts with label Milongueros/as. Show all posts
Showing posts with label Milongueros/as. Show all posts

Wednesday, 18 December 2019

European Milongueros: Les Anglais

Although I had planned on writing this article for months, I actually started it on the day after the general election in the UK and now fear that it might be overshadowed by the sad news of a conservative majority and certain Brexit. But even such a disaster cannot break the bonds that have formed across the channel!


What is this article about?

In 2011, I published a series of articles to introduce some friends who have contributed to the early development of milonguero culture in Europe by promoting and living social tango, the "codigos milongueros" and a culture of the embrace as teachers, organisers, djs and dancers. 

Today, I would like continue by presenting a few of my British friends, who were not so much "on the map" when I wrote the original series. Back then, the UK had not yet developed a distinct milonguero culture, but that changed after the first edition of Abrazos - Encuentro Milonguero, organised by our Tangokombinat colleagues Andreas and Lynn in Devon. Today, a large number of Brits are not only amongst the most popular dancers at any European meeting of close embrace dancers, they also shape tango culture by organising events, teaching, djing and spreading milonguero culture through their tireless travels. As our French friends say: "Sans les Anglais - ça va pas du tout!"

I find it super hard to make a choice, but the ones that I am going to introduce share not only their milongueroness, but also two other important properties: All of them have repeatedly taken classes with us and/or visited our events, so that I had plenty opportunities to get to know them better. In addition to that, they are dedicated Europeans who have fought actively for the UK to stay in the EU by going to and organising rallies, by posting about it on the internet and by trying to reason with those who want to bring us apart. 

In the photo below, you can see Matthew, Nikki, Dawn, Eleanor, Krissy, Nick and many other tangueros during a march against Brexit. The others are not on it, but believe me, they've also done their part.




























But let's look back to 2009.

This was the year when Detlef and I were for the first time invited to teach in the UK. The SuperTangk in Bramshaw exceeded our expectations. We had been told to be prepared for a bunch of lazy open-embrace dancers but what we got were enthusiastic students, eager to immerse themselves into close-embrace social dance. This was when we first met:


Nikki Mellor + Matthew Cooper
These talented dancers don't teach or organise but an encuentro without them is like a picknick without sun. Matthew is one of my favourite partners and the most positive person. When being nervous before a demo, I just have to look at him to know that everything is fine and that what we do is appreciated. Matthew's presence lights up my mood every time. Apart from being a remarkably musical dancer, Matthew also has an incredible eye for the small things around him. Have a look at his short film of loss and hope. It is one of the many moments that he captured with his camera.
Nikki is less visible on the internet, but she is one of the preferred partners of Detlef and many other leaders. She also leads, but not as regularly as Dawn and Eleanor. I unfortunately only got to dance with her very few times, but always enjoyed her embrace immensely, no matter in which role. I think you will get to know this strong woman best, when you see her through the eyes of her beloved. And by the way, I lied: Nikki has started teaching women's leading classes with her friend Krissy. 
This video shows Nikki and Matthew dancing the last tanda of Matthew's "40th spectac-EU-lar birthday" party- an occasion on which all his European friends united to celebrate tango, friendship and the EU. By the way: Dawn and Eleanor, whom I will introduce below, can both also be seen dancing in the video.
The cool photo below was made in Berlin where Matthew works in software development. Hopefully, he'll be able to continue this employment after Brexit. 





Eleanor Durrant
Eleanor has not taken many classes with us, but she is a dear friend, whose opinion I highly value and a fabulous dancer in both roles.
I first met Eleanor in 2009 on occasion of our Festivalito de los Angeles in St. Wendel, the next year at Les Cigales and at the FCA when it was still a festivalito. She reviewed all of these and many more events on her blog as Ms.Hedgehog and by that immensely contributed to the popularity of encuentros and festivalitos milongueros in Europe. Her writing is witty and always to the point, whether it is about tango, film, books, needle work or whatever she deems worthy writing about. 
In real life she's a freelance business analyst specialising in difficult business situations. As a tango dancer, you will often see which role she is dancing by her marked clothing: dress and high heels when she's planning on following or trousers and flats when she is leading. That makes her very visible when signing up as a double-role dancer and is one of the many precious tips for tango-dancers on her blog. She has taken up teaching in London, specialising on basics and floorcraft and I am confident that even the most advanced dancers will get useful advice from her how to dance better in a crowded ronda. Eleanor is also an active dj.
Here you can see her dancing with Andreas during the last edition of Abrazos in Devon. The picture below is by Markus Schüller. 



A year later - in 2010 - we first met:

Marion Greenwood + David Thomas
David told me that they used to watch our videos on Youtube thinking "that looks like it might be interesting to try". Well, they got to try a lot.
Marion and David not only visited numerous of our classes and tango-holidays, but also took part in our first Tango-Teacher-Training in 2013. I will always remember David's enigmatic introduction and Marion's ever encouraging smile, even when the classes took much longer than planned. This first TTT was very exciting and by working with each other, we forged everlasting memories as well as pedagogical concepts and musical ideas. It was on this occasion that David and Marion presented the orchestra of Francisco Lomuto in such a creative way: "Imagine an elephant running through a jungle." After the TTT, David carried on his research, resulting in the book Getting to know - 20 Tango Orchestras. I recommend it as an excellent resource for every tanguero. 
Because they are elegant dancers and great in any form of communication, we invited them (and Saso + Alja from Slovenia) to participate in the film to our book Caminar Abrazados. It was David who magically made an apple appear during one of the exercises and thereby initiated a running gag. Here you can see us all in action.
David and Marion are not only the most friendly and beautiful couple, but also very active in spreading the word. They teach and organise milongas as well as tango-holidays and David regularly works as a dj in the UK and all over Europe. The only thing that I regret is that we nowadays don't meet so often anymore because we fequent different Encuentros.
Fun fact: Marion and David live in the same village as Matthew and Nikki. How can such a small place turn out so many dedicated dancers?
The photo below by Thorsten Janes shows them on the film set. 




Dawn Porter
I first met Dawn in 2010 only three months after she had started dancing. It was on occasion of workshops in Bristol and two months later she already visited our Encuentro in Germany. I have seldom met someone so eager to absorb tango. In our teacher trainings I present her as an example for the ideal student. No wonder she made such great progress in short time. In the beginning she concentrated on the traditional follower's role, but soon asked me, whether I thought that learning the leading role would be a good idea. I encouraged her and never regretted it, because today Dawn is one of my favourite leaders for Biagi. I am lucky that this feeling seems to be mutual, because once a tanda starts, our miradas find each other across the biggest rooms. Needless to state that she's an excellent follower as well!
Apropos mirada: Dawn - who is also djing on a regular basis - was the creator of Una Mirada, which was the second Encuentro Milonguero in the UK from 2014-16. In recent years, she has hosted me and my partner Ramona for Ladies Only weekends and I hope we'll go on working together after Brexit. I would not want to miss the hours around her kitchen table. 
Another thing that comes to mind when I think of Dawn are her t-shirts. Since 2017, I have frequently seen her in EU-blue with stars, but the coolest was her "Made by Tangokombinat" shirt. As she has not only worked intensively with Detlef and me, but also with by Andreas, our Tangokombinat colleague, the inscription made us all proud!
Here you can watch her perform with Eleanor at a milonga in London. The video is old but you can already see Dawn's typical dynamic and Eleanor's relaxed footwork. And by the way: the person giggling so audibly is Matthew who made the video. 
The photo of Dawn and me dancing was made by the French milonguero Xavier Delalle.




Mike + Patricia Barrow
Mike recollects based on his diary entry: "We first met on 31st July 2010 at the Milonga del Angel in Nimes. You were running your Mas de Mestre workshops, we were on holiday in the area and visited the milonga.  ...  We danced...  Patricia apparently had two dances with Detlef... The diary records: Memo to self: we should sign up next time they come to a Tangk in Bramshaw. The rest is history."
Indeed. In the following years, we would have the pleasure of working and dancing with this interesting couple several times in and outside of the UK. I not only enjoyed the shared tango experiences, but also our vivid discussions about life outside the bubble. Mike is an academic economist, Patricia - originally French - was a school teacher. So far, the two have not ventured into organising or teaching, but given their background I would not be surprised. 
An interesting fact: Since this year, these smart milongueros both have British and French citizenship. They will therefore be amongst the lucky ones to be able to travel and work freely in both worlds after Brexit. I am very happy for them and hope we'll meet even more often in the future. The most recent encounter was at our Festivalito Pequeña in June, where Patricia won a ticket to the 2020 edition. So there are good chances to dance with them next year!
The picture below is from an Italian milonguero Christina Campagna.




Jeff Allen + Caro Millet
In my original post, I did not include Jeff and Caro, because they are actually not "Anglais" and new to the milonguero scene. But I have decided to add them, because things are constantly changing.
The fist time that Jeff and Caro took classes with us was in Bristol 2012 and 2013, so we know them quite some time, but it took a few years until we bonded. In 2013, I saw them at Abrazos in Devon, but there was not much of a personal contact. 
Caro and Jeff are another very European couple. They live in Glasgow, Scotland. He is Scot and she is from France, but has been living in the UK for many years. Both are very much affected by the political situation, but who knows, Scotland might remain in the EU. 
A fun fact about Jeff: although coming from another line of work, he is now building violins. I find that very impressive! 
Since 2002, Jeff has been teaching with the Finnish dancer Sari, but as you can see from (quite old) pictures on their website, their school does not have a definite milonguero orientation. Jeff has nevertheless changed his personal approach to tango a lot: In 2016/17 he registered for our TTT and since then been integrated into the milonguero community. He and Caro have also participated in a few of our tango holidays in France and regularly go to milonguero events in the UK and on the continent. Here you can see them dancing at an encuentro. Jeff has also participated in my dj-seminar and is djing in Glasgow.
Caro has not only started to lead but is now also giving classes with Jeff. They are actively helping to boost social close embrace tango in this rather remote part of the UK. I wish them lots of luck and hope that we'll soon return to Glasgow to support this great development.
The picture below is by Thorsten Janes and shows them dancing at our Pequeña.



Nick + Krissy King
These lovely people are the last to be presented here because we met them relatively late, in 2014 during workshops in Cambridge. But since then we've danced frequently at encuentros all over Europe and many milongas in the UK.
Nick is one of my favourite Di Sarli partners and I always try to catch his mirada when I hear the first notes of any song. Krissy is just wonderful and like mine, one of her favourite orchestras is Biagi. Such a warm person and great hugger. Both of them actually. Abrazadores par excellence!
Krissy and Nick teach and organise milongas in the Hertfordshire area and Krissy offers classes for leading ladies - sometimes with her friend Nicky Mellor. Nick, a TV film editor in real life, is also a committed dj.
There is another thing I particularly like about Nick: his outspokenness when it comes to British politics. After reading his Facebook posts, I feel entirely free to say "Bollocks to Brexit"!
In this video on Eleanor's blog, you can watch Nick dancing, but unfortunately there is no film that shows him with Krissy. That's a shame, because I love watching them move ever so smoothly. Can someone please film them at an event, so that I can post a link?
The photo below is also by Cristina Campagna.


So, it seems that I am done for the moment. I won't apologise for the length of the article, because I already had to restrict myself to not introduce even more British milongueros or continue my love letter to the few I chose. 

Let me finish with yet another video by Matthew. It features most protagonists of this article and many more of our friends. I'm also in it, leading the "Git Up" at the FCA. Apart from showing the friendship and love that binds us, this film proves once more that milongueros are first and foremost great fun!

I wish everyone a Happy New Year and a much better 2020. 





Tuesday, 18 October 2016

Encuentros & Festivalitos Milongueros 2017

It is this time of the year again: tango-dancers are asking me to post my Encuentro-recommendations for next year. 

But you may know that I find it harder and harder to compile this list. As I have not been visiting so many Encuentros in the past two years, I cannot guarantee for their quality. Some events, that have been part of last year's list, cannot be found here anymore, either because they will not take place again or because I have heard too much negative feedback about them. Also some organisers have not yet informed me about the dates of their events.

I have nevertheless decided to post another choice of events that:
1. ask participants to pre-register for the whole event,
2. use role or gender-balance to ensure that everyone gets to dance,
3. will take at least 3 days and have separate Milongas,
4. use traditional music in tandas & cortinas,
5. encourage cabeceo & mirada,
6. encourage dancers to leave the dance-floor after one tanda to find a new partner,
7. are meant to attract people who want to dance in a close embrace in a civilised ronda.
Events, that have these features are in general called Encuentros or Festivalitos Milongueros. Festivalitos might include a short demo as well as some classes that focus on social tango. There will nevertheless be no live-music or extended shows at these events. The Milongas are reserved for dancing.

I am going to stick to events that are well-established and and that aim to attract an international crowd. For a complete listing, please visit Gato Milongueiro's site
Like last year, I am going to present the events in three sub-groups.


EVENTS THAT I PLAN ON VISITING + EVENTS THAT I ORGANISE

Abrazos (Tangokombinat UK), Devon, United Kingdom, May 5-7 (info soon)
Le Rendez-vous Milonguero de l'Essaim de Julie, France, June 2-4
Pequeña (Tangokombinat), Saarbrücken, Germany, June 16-18 (info soon)
Festivalito Rural, Verzej, Slovenia, August 25-27
FCA (Tangokombinat), October 13-15 (private event)
2017 will be a very sad year with only very few Encuentros for me. Unfortunately, two of my favourite events  (Viento Norte and Embrace Norway) will not take place in 2017. Also I will be travelling to the USA twice. That does not leave a lot of time for Encuentros. By the way: none of the events mentioned above use separate seating, all are open to changing roles and come with a very relaxed ambiance. 


EVENTS WITHOUT SEPARATE SEATING AREAS FOR MEN & WOMEN

(In some cases, you might nevertheless be assigned to a seat/table)
Noches de invierno, Reichenau an der Rax, Austria, January 6-8
Silueta Porteña, Hamburg, Germany, January 27-29 (fully booked)
Encuentro de Primavera, Kehl, Germany, April 6-9 (on invitation only)
Yo soy Milonguero, Crema, Italy, April 14-17 (very big, seating by country of origin)
Pasionaria Milonguera, Nice, France, March 3-5
Saarburg Festivalito, Saarburg, Germany, March 31 - April 2 
La Colmena, Copenhagen, Denmark, April 21-23
Atlantico, Porto, Portugal, May 11-15
Ronda del Querer, Kassel, Germany, June 3-5
Noches de Verano, Reichenau an der Rax, Austria, August 11-13
Encuentro Milonguero, Kehl, Germany, September 7-10
Abrazame, Barcelona, Spain, December (Encuentro-Marathon), December 8-10
Encuentro de Navidad, Kehl, Germany, December 7-10 (on invitation only)
Hopefully I will manage to integrate one or two of these column's events into my schedule. I am interested in Atlantico (because of the setting) and Noches de Verano (which seems to be very friendly). I would also like to go to La Colmena, but will be working that weekend. Gaby's events in Kehl seem to be nice as well, but somehow, I never make it to them.


EVENTS WITH SEPARATE SEATING AREAS FOR MEN & WOMEN
(In some cases with an additional area for couples or mixed groups)
Juntos, France, February 17-19
Encontro Milongueiro A Promotora, Lisbon, Portugal, February 24-28
Encuentro Porteño, Amsterdam, Netherlands, May 18-21
Les Cigales, France, May 25-28
Aventura Milonguera - Peace & Tango, Noci, Italia, June 15-18
Festiv'à La Milonguita, Sisteron, France, June 29 - July 2
La Franteña, France, August 11-15
Stockholm in a close embrace, Stockholm, Sweden, August 25-27
Ensueños, Porto, Portugal, October (Date?)
Yupie, France, October 13-15
TanGoaGOGO, Lago Maggiore, Italia, October 28-30
Te Quiero Lisboa, Lisbon, Portugal, November 17-19
Roma Milonguera, Rom. Italy, November (Date?)
You will most likely not meet me at any of these events, as the separat seating does not work for me. This is really sad, because some of my friends prefer this setting and I have not seen them for a long time and just miss being at these places. But I cannot help it. Another reason for my not going there is the rather poor sound and floor quality at some of the French and Italian events. If you are sensitive to these factors, please check with the organisers in advance.


That's it for the moment. I will update the list as soon as I get more information. Please also write to me, if you discover a mistake. 

Note for organisers: 
This is no complete list of all Encuentros and Festivalitos Milongueros. I can only recommend events, that I have been to or that are recommended to me by people, who I know personally and who share my standards of quality and definitions. I will also not integrate first-time events unless they are organised by people whom I trust as organisers because I I have visited some other event that they created in the past. This is - after all - my personal list of recommendations. Nowadays, there are dozens of Encuentros. I cannot know or recommend them all. So please do forgive, if your event is not part of this post.




Friday, 25 March 2016

ABC of Tango Events - No More Porridge!


Tango defies all kinds of standardisations. It is a highly individualised tradition based upon the personal views, styles and philosophies of thousands of people all over the world. This is what makes tango so complete and interesting. I certainly don‘t aim to downsize its diversity or the inventiveness of organisers in creating new forms of get-togethers. It can nevertheless make sense to define certain forms of events or more accurately: to describe some commonly agreed-upon categories of events.

Why is that?

When I started dancing tango, there were just a few local milongas. Once in a while the local teachers would invite an external (usually argentine) teacher couple and maybe even a tango-orchestra. And then you’d dress up and call the event a festival, because it was more than a normal milonga. Expectancies were not very well-defined and life was easy. Everyone ate porridge.

Nowadays, there are many different forms of events that have developed based on the philosophies of sub-groups and organisers in the tango community. Sure, there are still those who dance no matter where to no matter what music in no matter what style. When you start out, that might even be normal. But the majority of more experienced dancers will develop personal preferences. Some like dancing to the “old” tango orchestras, some prefer non-tango-music, some love live bands… Most dancers will choose evens quite consciously and spend a lot of time, money and energy to fulfil their quite accurately defined and  sometimes exaggerated expectations, like someone who visits a restaurant:
You know, when I order a Diet Coca Cola, I don’t want to be served a Pepsi Max, because I really don’t like the taste of it. When I order my steak medium, I don’t want it raw. When I order Paella, I don’t want to eat Risotto. And a Pizza is no Flammkuchen. These dishes might be related, but they are not the same. 

In order to prevent their customers from being disappointed and themselves from having to listen to complaints, I think that organisers better describe their events as honestly and detailed as possible in advance. This is where labels come in handy. If everyone agrees upon what a marathon is, an organiser can use this single term to describe his or her event very accurately. If an event will not fit into a commonly agreed-upon category it will of course need a more detailed description.

Unfortunately, a praxis of (intended or uninformed) mis-labelling has spread in the tango community and customers are confused. 

An example: Two years ago, local organisers promoted an international Festival-Marathon-Encuentro. From what I can tell, they have neither been to an encuentro, nor to a marathon. As for the internationality: all milongas in my home region will host dancers from France, Germany and Luxemburg because of our city’s situation in a triangle of three countries. Does this make an event with less that 200 mostly regional dancers an “international festival”?

Another case from last year: A couple of organisers who are specialised in big festivals and personally dance in a rather expansive manner visited their first encuentro milonguero. After that, they decided to organise one as well. Because of their lack of connections in the milonguero community, it was mostly visited by their regular festival- and milonga-customers, who are no milongueros. Do you think that this was a genuine encuentro? I just know, that the single participant who had traveled from afar because she had believed in the publicity was very disappointed. 

The same is happening in lots of places: organisers who want to make money or are just too lazy to describe their events properly, use popular and often quite wrong labels to attract customers.

Sure, there is no law against it and one can expect customers to inform themselves properly. And yes, experienced organisers can cater to different tastes, if they take their jobs seriously or ask for help from experts. But sorry, the above-described behaviour is just unsound business practise. 

I firmly believe that it is not enough to label an event in a certain manner and then stick to some general features in order to make it work. To deliver quality, you have to believe in what you are doing and share the philosophy of your desired customers. That is what makes tango events authentic, personal and good. I know the features of a marathon and I could surely organise one without making any major mistakes, but: I only have very few connections in the marathon scene and there are some aspects of marathons, that I don’t agree with. How could I deliver a great experience for everyone else? You have to know something intimately to create it and you should love what you sell.

In this I agree with many other organisers and business-people in general. Just recently, I visited an encuentro-marathon mixer in Barcelona and discussed the subject with friends. They are anchored in the marathon scene, but have started visiting encuentros. And they are observing the same phenomenon: organisers announcing events as “marathons” without being able or wanting to deliver what they promise. Because of this, Dany de Kay has recently published a brief “terminology of tango events”, to be found here.

At the time of publishing, I had already written the biggest part of this article. But when Dany published his list, I stopped working on it. I have now decided to post my “ABC of Tango Events” nevertheless, as it may offer insights from another perspective and because my blog is read by another clientele. The more we spread the idea of correct labelling, the more we can help organisers and customers to agree upon what the want from each other.

In order for you to understand the basis of my terminology, I will first define three general terms.


1. Los Codigos Milongueros
… are a set of behavioural guidelines recommended by organisers of what often is called “traditional” tango events. 
A short note: Let us not forget, that some of these codigos might the result of a very recent development. As far as I can tell, mirada & cabeceo e.g. might not have been used in the “época d’óro” - at least not everywhere. Men just walked up to their partners and asked them - or their mothers - for a dance. And how could the music be arranged in “tandas” when only one orchestra played live music at a milonga. Actually I believe the “codigos milongueros” to be a modern set of guidelines, that developed to cope with the inevitable chaos and misunderstandings that came with the tango-renaissance in the 80s and 90s.
However long they exist, this is what they boil down to:
- Preservation of the embrace throughout the dance.
- Respect for the ronda and other dancers: leaders cabeceo to enter the ronda, abstinence of movements that take up too much space or might disturb other dancers, constant movement counter-clockwise in one’s lane on the dance-floor.
- Respect for the personal space of everyone and equal activity of followers and leaders in the process of invitation: use of mirada and cabeceo.
- Promote of frequent exchange of partners, so that no-one is left out: clear dance-floor after one tanda, so that everyone can choose another partner.

2. Milonguero, Milonguera, Tango Milonguero
A milonguero or milonguera is a person who dances tango on a regular basis with a high level of commitment and will act upon the "codigos milongueros“. 
Some people relate the term “milonguero“ to a certain style of dancing, often limited to a small repertoire of typical steps and an "apilado“ (leaning) embrace. In my opinion, the term should not be narrowed in this way. General opinion agrees, that milongueros can have different and individual styles, varying from very traditional to highly modern. These styles are often influenced by the space available at their regular milongas. The milongueros of the packed milongas in the centre of Buenos Aires have obviously developed a style with small, rhythmic moves in contrast to their colleagues in the outer barrios, who’ve got huge dance-halls to move in. Even the embrace can range from a slightly open v-hold to a very closed chest-to-chest contact. In general one can say, that a milonguero dances tango de salón.
There are recent opinions who challenge the codigos-based definition by stating, that a milonguero does not necessarily agree with the "codigos milongueros“. In their opinion, the term “milonguero” would just describe a dedicated tango dancer. I don’t find this generalisation helpful. Most tango dancers are dedicated to the tango culture and there is a term to describe them: they are tangueros. To be a milonguero or milonguera implies a shared philosophy, a commitment to a set of values that helps define the community and its expectations.

3. Tango de Salón
For many years, this term has been signifying tango as it is danced in the milongas, the salons. It distinguishes social tango from the choreographed stage tango, the tango escenario. As social tango is always danced in a ronda with other couples, it makes sense to forgo movements, that would endanger the other dancers on the floor, such as high voleos, certain forms of ganchos or volcadas, sentadas, jumps, huge colgadas and the like. As the ronda requires the couple to adapt to the movement to the other dancers, it does not allow for pre-set figures or choreographies. Improvisation is of the utmost importance. 
Since the turn of the century, there has been the tendency to limit the term “tango de salon“ to a certain style: Tango Villa Urquiza. This was done in order to distinguish this more elaborate style from the supposedly very restricted “estilo milonguero“. But as I don’t believe that there is one “estilo milonguero”, I don’t see the necessity of constricting “tango de salon“ to such a narrow meaning either. I will go on using it as a generic term. When asked what he was dancing the late Tete Rusconi - a famous milonguero - would answer “tango de salón” I keep it as simple.

Let me now describe the different forms of tango events, as I know them. There are of course events, that have mixed features, but - as stated above - these traits will usually then be mentioned in the event’s description. For example: Our “Festivalito con Amigos” started out as a festivalito, a small festival. Later is was more clearly specified as a festivalito milonguero, but nowadays it is a pure encuentro milonguero, that preserved only one feature from its festivalito-days: short demo by a couple of our friends. 

So here finally goes my: 

ABC of Tango Events


Encuentro Milonguero
Definition: A meeting of milongueros. In Italy, these events might be called raduno", in France "rencontre“ or ”rendez-vous“. The term suggests a rather intimate setting in which people can socialise easily as opposed to the more anonymous festival atmosphere. (There can of course also be encuentros of non-milongueros, but in the last years, this terms was mostly used in the milonguero context.)
Duration: 3-5 days
Milongas/Dancing: Separate milongas, usually one in the afternoon and another one in the evening. The last Milonga is often called “despedida” (farewell party) and will usually take place on Sunday afternoon to allow the participants to return to their home towns on the same day.
Demos: Usually none
Music: traditional tango music in tandas and with cortinas presented by experienced DJs, often with international reputation, no live music
Classes: None
Booking: Several months in advance
Balance of gender or dance-roles: Yes
Separate seating of men, women and couples: Contrary to uninformed belief, only 50% of the encuentros use this set-up. Please enquire with the organisers or check here.
Participants: Aims to attract experienced dancers from all over Europe or the world, but might also have a smaller catchment area, depending on the connections of the organisers.
Number of participants: Approx. 80 - 300. (Recommendation: stay below 200 to preserve the spirit of an intimate encounter.)
Behavioural codes: The „codigos milongueros“ are promoted.
Typical examples: Abrazos (UK), Les Cigales (France), Yo Soy Milonguero (Italy)

Festival
Definition: Festivals are important events with a comprehensive programme, often hosted at spectacular or big venues. The term "international“ might be added to suggest its significance. 
Duration: 3 days or more, some festivals last up to a week
Milongas/Dancing: Separate Milongas, at least one per evening, usually a formal ball on Saturday
Demos: Shows by the teaching couples and guests of honour
Music: Tango music presented by experienced DJs, often of international reputation, often one or more orchestras.
Classes: Numerous classes by the teacher couples, additionally there might be private classes, lectures, discussions, art presentations. (Recommendation: please call your event a festival, if you plan on inviting more than 2 teachers couples of a certain recognition. Inviting the local teachers to do a beginners class alongside the Argentine guests does not turn your workshop weekend into a festival.) 
Booking: Classes and or festival passes are usually booked in advance, milongas/balls might sometimes be payed over the counter.
Balance of gender or dance-roles: No
Separate seating of men, women and couples: No
Participants: Dancers of all levels and styles, sometimes additional spectators, who come for the shows and concerts. 
Number of participants: A lot. (Please do not call your event a festival, if you expect much less than 200 dancers. Large festivals might host up to 2000 participants, in the past even more. If your events is much smaller in scale, why not call it Festivalito?)
Behavioural codes: Often none, which is why experienced dancers often shun festivals. But it does not have to be that way. Why not encourage the use of the „codigos milongueros“ to prevent the chaos, that often comes from an in-homogenous mixture of participants? At least those codigos that refer to the behaviour on the dance-floor would help a lot and might stop the decline of festivals in the customer’s favour.
Typical examples: Tangomanía (Netherlands), Ostertango (Switzerland), Tarbes en Tango (France)

Festivalito Milonguero
Definition: Basically the term describes a small festival - less participants, less teachers, a downsized programme. But when specified by the expression “milonguero“ it is usually an encuentro milonguero with some classes and a demo. This is what I am referring to in this description.
Duration: Usually 3 days
Milongas/Dancing: Separate milongas, at least one per day, sometimes additional afternoon Milongas
Demos: Usually a short improvised demo of close-embrace by the teaching couples or guests of honour
Music: Traditional tango music in tandas and with cortinas presented by experienced DJs, no live music.
Classes: A few classes by 1-2 teacher couples, additionally private classes or privatandas (privates of the duration of one tanda), sometimes practicas
Booking: Usually several months in advance, classes might be booked later
Balance of gender or dance-roles: Mostly. I strongly recommend to stick to this feature, as the general audience expects this feature to come with the label.
Separate seating of men, women and couples: Usually not.
Participants: Aims to attract experienced dancers, in particular those who want to develop their skills and knowledge, but might also be open to less experienced dancers in order to integrate them into the community. A festivalito can nevertheless can be composed of a very international, highly-skilled crowd, depending on the “pull“ of the organisers, DJs and teachers.
Number of participants: 80 - 200
Behavioural codes: The "codigos milongueros“ are promoted and expected.
Typical examples: Festivalito Rural (2010-15 in Slovenia), Embrace Norway (Norway), Pequeña (Germany)

Marathon
Definition: Non-stop dancing over a longer period, typically in a more informal setting.
Duration: Usually 3 days. There seem to be other formats as well. A 12-hour Milonga might also be called a marathon, but I am not sure, if marathon folk would find that appropriate. Dany de Kay’s terminology speaks of 3 days.
Milongas/Dancing: The milongas blend into each other, usually interrupted by short breaks in the morning hours or during the shared meals.
Demos: None
Music: Usually traditional tango music presented in tandas and with cortinas by experienced DJs, but some Marathons may be also open to non-tango music or modern tango recordings. Please check with the organisers. No live music.
Classes: None
Booking: Usually several months in advance
Balance of gender or dance-roles: Yes
Separate seating of men, women and couples: No
Participants: Depends on the connections of the organisers, but aims to attract an international crowd of experienced dancers. 
Number of participants: Approx. 80 - 300. (From what I can tell.)
Behavioural codes: Depends on the organisers and participants. At some marathons mirada & cabeceo are encouraged as well as the clearance of the dance-floor during the cortinas, but at other events, people seem to dance several tandas with the same partner. Depending on the experience of the dancers, the ronda will certainly be civilised, but some more higher-risk movements are to be expected.
Typical examples: La Tosca (Italy), High Noon (Germany), Bergen Tango Marathon (Norway)

Milonga
Definition: A single tango event during the afternoon or evening. Can be a recurring or a one-time-only event.
Duration: Approximately 3-5 hours
Milongas/Dancing: Single event
Demos: Usually none - except in many Buenos Aires Milongas, where demos can be seen on a regular basis.
Music: Depending on the taste of the organisers, please check with them.
Classes: Usually none. In the USA, pre-milonga classes are popular.
Booking: Usually not required
Balance of gender or dance-roles: Usually not
Separate seating of men, women and couples: Usually not. There are a few Milongas in Buenos Aires, Italy and France that use that special set-up, but they are definitely exceptions.
Participants: Depends on the connections of the organisers 
Number of participants: 2 - 200 or even more
Behavioural codes: Depends on the organisers and participants. More and more organisers encourage the “codigos milongueros”, at least those related to the behaviour on the dance-floor.
Typical examples: Any milonga in your home community

Milonga Weekend
Definition: A series of connected or un-connected milongas on one weekend. Either by one organiser or by several. A recent variation is for a bunch of friends to “band together” and visit several local milongas. Can be recurring or a one-time-only.
Duration: 2-3 days
Milongas/Dancing: Separate Milongas
Demos, Music, Classes, Booking, Separate Seating, Number of Participants: See “Milonga”
Participants: Depends on the connections of the organisers, but because of the higher concentration of milongas on one weekend, dancers from afar are more likely to visit.
Typical example: Tangosommer Wiesbaden

Workshop Weekend
Definition: A special event, created around the visit of a teacher couple or workshops by local teachers.
Duration: Usually 2-3 days
Milongas/Dancing: Separate evening milongas, at least one per weekend, usually no afternoon milongas, as the classes will take place at this time of the day.
Demos: Demo or show by the teaching couple
Music: Tango music presented by local or traveling DJs, sometimes an orchestra might be invited.
Classes: Single classes or intensive seminars, additionally there might be private classes or privatandas.
Booking: Classes are booked in advance, milongas are usually payed over the counter.
Balance of gender or dance-roles: Only in the classes
Separate seating of men, women and couples: Usually not
Participants: Mostly local and regional dancers of all levels
Number of participants: Depends on the local community and the "pull“ of the teachers
Behavioural codes: Depends on the local customs or the philosophy of the guest-teachers


So, that’s it for the moment. I hope this list will help organisers and consumers to communicate and plan better.  

I might add more info later upon noticing that I have forgotten important features or entire forms of events. Do not hesitate to contact me with reasonable suggestions.

For my Romanian followers: Check out the Romanian translation of this post.